Too Much Instant Gratification: Not Enough Anticipation

image Running the Crazy Owl marathon reminded me that I grew up in a time of waiting. I waited for satisfaction–waited for film to be developed, waited for the movies to make the long process to VHS, waited for a ride, waited for a computer to boot up, waited for letters in the mail, and in most all things, waited to move on to the next level without any real sense of what it would look like, how it would actually be. Maybe that’s why I took so long to run an official full marathon, even though I’ve trained enough for it before now.

Race began at the Iriqouis Steeplechase

Race began at the Iriquois Steeplechase

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The run brought back memories of my past friendships. Beauty. The wonder and magic of the forests that I shared with my best friends of all time. Some have gone their own ways. We aren’t part of each other’s life anymore. We shared the owl dance under the tall trees by the fireplace. We imagined they were disco owls– the sun, the moon, our strobe lights and flare…the beats echoed in our cadence of running.-~dancing, and walking up the limestone trail–it chipped away and was reshaped by our steps. We laughed, “whoa!” and listened to the pieces roll away and smack rocks and bushes tumbling down into the hollow.

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Memory: My college Rumi (artist-chef-philosopher-wild sage college roommate) and I taking photos. Reloading another roll of film in the camera, exploring the forest and trying to capture the essence of tree, light, fern, moss, earth. (During the marathon, I remind myself that film is closer to the scent of some earthiness than the iPhone.)

On my parent’s back deck, I had shaved my college Rumi’s head maybe a week before our hike, so she’s bald in all the pictures. Her blonde hair floated off into the forest.

We hiked, talked, click click the pictures at Percy Warner. Afterward, we parked up where you can look down West End and the whole of Nashville from the hill with all the other smokers, the college students, the grunge and angst seething from us, but some deep red smoldering was there, burning. We waited. The Tao te Ching contains a phrase, “The greatest talent matures slowly.” Waiting a little, but not like apathetic waiting. No, college Rumi and I owned creative waiting–we would create something–the dialogue of plants, the orchestra of hand gestures, the blooming of noodles and food. We waited for photographs to process–film to develop. Images printed of Percy Warner Park–sunflares capturing the ghosts of those hills. We were there. I ran past us.

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The Crazy Owl stirred me on and around and up again. Remember: I was with D in the car listening to Jimi–it was all crosstown traffic and watchtowers as we wound through the forests and bumblebee hollow at 2 am, talking men, and God, and Goddess dreaming. Talking shit. Talking. Loving at 16-going-on, then lost and winding on the roads of 20-something. Stopping at a swing set, singing, “Say, say, what about when we grow up and have babies?” Now, late 30s, all the stages of my life have passed at the park.

The Belle Meade stairs in grade school. The field trip. The passing on the way to Cheekwood exhibits. And I descend them first this time, and run around the flagpole, feeling like I’m 8 & racing my third grade classmates. I climb the stairs again, slowly. It’s a long walk to the top, and I know it well, but a volunteer points to the direction. He laughs, “Wish I could say it was the last big hill.”

Wish you could see the stairs going up in the shadows

Wish you could see the stairs going up in the shadows

Early 30’s: running and hiking with my Mom, and just being where I am, where I have been on the Warner Trail. Discussing everything with her there–childbirth, generations, what’s funny, what’s lost, what hurts, what heals, and my family’s history, my family’s now, and where we’re going both literally on the trail and in the future. The Farrell Road trail knows all my secrets and desires.

Another water station. A volunteer reminds me, “It’s just a walk in the park.” I laugh.

I realize in this run–I am my future self. I understand my motion and then I am dizzy and slow. Slow. Be. Walk. Slowly. Soak. It. In. Even the emotion. Let it. Allow. Ahhhhh.

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I almost stopped. I did stop. Sat down on a bench momentarily and another runner checked on me. Walked. Walk in the park. Take it easy, baby. The hills are enchanted when you let them in. All the runners who passed me were encouraging. The support rallied me to get out of my head. I worked too hard for too long to let it get to me. Grateful for true dirtbags because they won’t let you fail. They motivate and tell you that you are great and awesome when you look and smell like shit.

Within all of that, I actually broke my shell and talked to some other runners. I admitted that I felt intimated, and they understood! So happy to talk with fun people during the race–women and men with more experience than I, and I learned so much just by being near them. Thanks to Donna, her friend who fell and couldn’t finish the race (I forgot his name), and many other unnamed runners.

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I kept going and go, go, go. I can see my husband in my mind–and just at that instant, I get a text from him. “Breathe” and another text, “you’ve already done great”, and more texts and more encouraging messages. I am done. Yes, that’s Right. Done is coming up, so I get going. And I know he’s there with another memory for me and him and my girls at this finish line. I could hear my daughters’ laughter half a mile before the finish. My children and their laughter echoing over the hills, the trails, the roads–all my selves there to embrace. It was the real epic–what you want to get from your(soul)self, the place, and the people in one day.

If you can visualize it, then you can achieve it. Anticipation is what you need.

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Yoga Trails among the Trees

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Yoga grabs at me in mid run. I cut across a field, kick off my shoes, and stand in eagle pose for as long as I want. At first, I teeter when trying to focus on a leaf in the river. I blame the river for flowing. For moving. How can I become still in a posture if I can’t focus on an inert wall in a house or yoga studio? I focus on the tree, and the leaves rustle, so I topple over.
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Everything is moving, trembling under the surface, even if it holds a stagnant appearance. Tiny vibrations and changes are happening all the time. I plant my foot in the soil and feel the slight tremble. I don’t tell my foot to be still. I work with my body’s subtle, natural movements. My toes anchor to the soil, and I slightly, oh so slightly, waver constantly in the pose and breathe and forget I am moving and the river is flowing and the trees shake. I realize that there’s no way to stop the motion that’s constantly inside of living things, myself included. Sitting still most certainly feels bad to many people. Cells rattle.

I notice the turkey tracks in the dirt around me. The deer imprints her motion in the mud. She brings her babies, and I see the hoof prints all around me as I sun salutation and balance in half moon pose. I look up–the tree is growing and changing all the time, shifting, adjusting to the sun and soil and water. We only think the trees are still, but they aren’t. Life is moving in them, through them, not just around them, all the time.

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I began a new practice with old habits in order to free myself. Trail running has been part of my routine for almost seven years. Yoga has been in my life, on the side, since I was in eighth grade. I would pick it up enough to learn a little more each time and then toss it aside without complete devotion. I didn’t stick it out, but it has never gone away, and I know more than the basics to the practice and way of life. Until last year, there were days when my practice was only a sun salutation. Most days, I tried crow until I popped my nose on the floor. I learned new ways to stand in tree pose. I became brave with a headstand and handstands against a wall.

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Yoga and trail running give me glimpses of nature I would otherwise miss. Both of them allow me to enjoy movement and change. Not sticking with a specific program but truly flowing through my daily life offers the most creative freedom.

"Grown-ups never understand anything for themselves, and it is tiresome for children to be always and forever explaining things to them." --Antoine de Saint-Exupery, from The Little Prince

“Grown-ups never understand anything for themselves, and it is tiresome for children to be always and forever explaining things to them.” –Antoine de Saint-Exupery, from The Little Prince

Going into the forest, into nature, has been fun for my family, especially my children. I learn more about stretching, meditating, breathing, laughing, and being from the children, when I follow along with their natural play, which includes all of those things. They choose their own places in the forest that seem even more enchanted once we finish. We look for shapes in the trees, the shadows, the filtering sunlight, the riverbank, and we try to imitate those forms with our yoga poses. My husband takes our photos on the trails he clears. Sometimes, the results are beautiful.

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Other times, we simply have fun and fall over and laugh and enjoy being together.

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Our changes opened a new way–like the trails we have been blazing this summer.

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Some days, I see the turkey stretch and know it’s time for me to bend and flex. In the afternoons, the young deer race one another out of the trail heads and sprint across the fields. We share.

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I go out every day to imprint the paths and pack down the new ones. At first, my line was soft and barely noticeable, but my daily devotion to the trails and my practice reveals the deep meaning of my intention. One step at a time. Back in the spring, my oldest daughter took the first steps by planting some seeds about a young adult book centered on nature and yoga. I’ll be sharing more details with you soon about the new projects evolving out of our new practice.

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In my observations, the turkey have taught me a lot about yoga, too:

"Why they always make serious face in yoga? You make serious face like this, you scare away good energy. To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight in hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile." --Ketut Liyer, Balinese healer from Eat, Pray, Love by Elizabeth Gilbert. Smiling when I practice close to the wild turkeys in my backyard--they stretch & sun salutation too.

“Why they always make serious face in yoga? You make serious face like this, you scare away good energy. To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight in hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile.” –Ketut Liyer, Balinese healer from Eat, Pray, Love by Elizabeth Gilbert. Smiling when I practice close to the wild turkeys in my backyard–they stretch & sun salutation too.

Reverse warrior

Reverse warrior

When What Motivates You Also Breaks Your Heart

This morning was packed with an accomplishment and a letdown. I decided to run downtown, a route I don’t take often. Maybe 20 times a year, and I usually run every day. About four years ago, it was a part of my running routine, and I ran there at least one day every week.

Stretching out alongside the river and finding a stride is one of the best feelings. I even enjoy climbing the stairs up the bridge, skipping them two at a time. Crossing over traffic on the pedestrian bridge, I noticed a homeless person sleeping under a blanket on the corner of the bridge.

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I climbed the next hill, skipping steps, and ran in front of and behind the city offices, the police station, across an old train trestle to view the courthouse rising up on the hill to my left and the river rolling along between the fields and forests to my right. Up Dog Hill, where I lived as a college student, and that old 1840s house where my boyfriend camped out in the vines was razed a decade ago–I reminisce and run faster. See a feather on the sidewalk and pick it up.

At the end of another train trestle, the trees are tall and thick as I look out over what was once called “Gallows Hollow” and, though I can’t see them, I listen for an instant to children laugh and play on the playground in the distance. I’m happy about how time changes some places. I turn back and cover the same route.

When I pass the homeless person, I see a woman, and she’s skinny. I run harder and faster than ever before. I do the whole route one more time, to see if she’s breathing. I hone in on her as I pass by. She sleeps and the blanket rises and falls slightly. I run faster and harder– my brain working and pushing me. I make a decision: I will get her some food and leave it beside her.

I stop at the car, check my time and distance. First realization–amazed! Shock. I have set a personal record and ran faster than I ever believed possible for myself. I call my husband. Ask him the time. He asks, “Did you already finish your run?” I always call him before I begin. Confirmation.

Almost forgot why I ran so fast as I drive away from the river. When I see the Arby’s, I remember and pull into the drive thru. With the food and drink, I return to the river and park close to the bridge. I run very lightly up the stairs and across the bridge, but she is gone. I look around on the other side, down along the road, to see if she’s walking close by, and I don’t see her anywhere. She is gone. I return to the parking area, cover the route again, but I don’t find her. Due to a meat allergy, I can’t eat the food myself. Second realization–devastated.

The woman was my motivation to run so much faster than usual and as a result, I received a huge realization about how hard I have trained my body to run. But, and this trumped everything, I didn’t get to accomplish my mission, and that felt devastating. I will go back, and if she’s still on the streets, I hope to help her, but my biggest hope is that she won’t be on the street anymore.

There is an effort to open a homeless shelter in the town where I live. Please, help Manna Cafe to accomplish the goal of giving people a safe place to go and rest their bodies.

P.S. (Adding this as an afterthought): I usually keep care packets in my car (ziplock bags of toiletries, food gift certificates, etc.), but I ran out of them about three weeks ago when it was so hot, and that was one reason for my dilemma about how to help her. 

Ah! She Recorded Me…I Didn’t Recognize My Own Voice

The audiobook for Multiple Exposure is available for purchase: Go to iBooks or iTunes and type in Shana Thornton, you’ll see the book. Also, buy on Amazon, Audible
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I said that I wouldn’t read Ellen’s book again. Technically, I’m the author, but to me, the story in Multiple Exposure belongs to the narrator, Ellen Masters, and I read it so many times while writing it that I told myself I wouldn’t again, not cover to cover, for years… decades. Maybe never again.

I told an audience recently, “I think writing this book gave me post traumatic stress disorder.” No one was laughing. I was serious.

Then, I had an opportunity to record an audiobook version with recording artist, musician, technician, and producer, Gwendy Joysen, who gave me a reason to read the book cover-to-cover again and in the best voice I’ve used, and all while making it a better book. Gwendy has many more skills, but these were the talents that helped me record my audiobook–technical and creative skills combined with openness, psychological vulnerability and wisdom, and positive praise–suddenly, Gwendy was helping me into a new phase of my life that I wasn’t even fully engaging.
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Walking into her recording space, the big mic waiting for my voice, waiting for the story, I was intimated to read the book again. When I flipped open the first page, I shuddered and cleared my throat. Faltered. When I heard that first line played back in my voice, I heard a flat tone. I closed my eyes and imagined an audience. Gwendy said the same thing when I thought it–to imagine telling my story to people. Don’t focus on the headphones and microphone, on the wires and levels and controls that I knew were there, just make the story come to life from the words on the pages.

As soon as that began, the need to shift and adjust became clear which lent the story extra clarity and tighter prose. Little clean ups: tags, words that just sound weird when said aloud together, verb shifts, and more. All those editing chores, considered “boring” by many but like tilling and weeding to me, were happening again. Ugh, I was exhausted after our first session. My legs were swollen and my lungs hurt. I found new admiration for singers and the physical demands and challenges required for singing and vocal performance. I was feeling how fragile I was when I wrote the story. I saw my own past pains and stresses reflected in the words.

When I least expected it, Gwendy asked me to sing–first, “You Must Have Been a Beautiful Baby,” and then, “Precious Memories.” Only the title of the former and a couple of lines from the latter, but I was recording my singing voice–oh, geez, while this lightened our recording time (Multiple Exposure is a heavy book), I’ve only considered myself a road trip crooner and fireside accompaniment, as far as singing goes. Gwendy volunteered to be my vocal coach, too, for those little bits of song. First, we listened to a couple different versions of each song until we found the one that seemed right. Gwendy quickly chose one and then, she sang and sang, instructing me to blend in with her voice. We sang the lines over until she dropped out when I captured it enough times to record my solo voice with the correct tone and melody.

My diaphragm and abdominal muscles were sore after reading for 4+ hours, and this showed me how taxing it can be for singers and musicians when they are in the recording studio. My feet ached from standing. Gwendy insisted on breaks and drinking water. I sipped coffee most of the time to soothe my sore throat.

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During our breaks, we naturally learned about each other, and Gwendy connected to my character’s PTSD struggles, since Gwendy recently emerged from a traumatic and abusive relationship that lasted a few years. I finally felt like Ellen received some validation, and that I did as an author.

We shared stories about overcoming anxiety issues and allowing art to carry us through the highs and lows in life. That ever-changing landscape, the sand painting of living the life of an artist and trying to make a living, looking for validation for your artwork and not wanting to need it but needing it, and the moments of being swept up in the exhilaration and escape of the creative process–we shared all those experiences in life. By being her own open, honest self, Gwendy helped with the inspiration for a new book and creative project that’s currently in the works.

Multiple Exposure was recorded, mixed, and mastered by Gwendy Joysen. I highly recommend her services! Her website: http://www.gwendyjoysen.com
I narrated. Recorded in Tennessee, spring 2014. Please, buy a copy: Go to iBooks or iTunes and type in Shana Thornton, you’ll see the book. Also, buy on Amazon, Audible

Cover Design by Steven Walker, http://www.stevenMwalkerImages.com

Cover Design by Steven Walker, http://www.stevenMwalkerImages.com