Stashed Away–The Secret Letters

This is part three of a series on letter-writing in fiction.

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Secret letters can create many routes in a novel, and they offer the ultimate versatility to your story. These secret letters that suddenly appear in a book, they allow some of the deepest twists possible in storytelling. The story becomes the owl with its head turned all the way around, and you might even be able to stand the plot on its head at the same time.

I’ve noticed that the novels with secret letters don’t set out to be epistolary. Those secret letters are not referenced in the beginning of the book. The narrator never alludes to letters or secrets in that way. Then, the secret letters surprise everyone by showing up like a poof of dusty magic.

You can make it subtle, while retaining the lucidity of the scene and the significance of that moment in the storyline. In Multiple Exposure, Ellen Masters is legally adopted by her grandmother and grows up with a distant relationship to her mother. When her mother comes for a rare visit to see Ellen graduate from high school, Ellen’s mother finds all of the letters with money still stuffed inside that she and Ellen’s stepfather mailed to Ellen over the years. Prior to this scene, the narrator, Ellen, has never let the reader know that her mother and stepfather mailed letters and money to her. It should come as a bit of a shocking revelation on the part of the narrator to the reader for many reasons. The scene shifts again quickly, and this serves as a striking memory flash. Those letters are never mentioned again in the book, and there’s no reason to do so, as they served their purpose in the story.

You can make secret letters have a generational impact by revealing an even bigger secret decades later. In my second novel, Poke Sallet Queen & the Family Medicine Wheel, I used the idea of secret letters again, and they lead to the revelation of a secret that changes the family structure (for this blog, I won’t spoil the story and reveal that here). These letters are about the history of the Ballard family and are never seen by the narrator, Robin Ballard. She hears the story of the secret love letters from her Great Aunt Cora, whose heart is broken as a young woman by not receiving anymore letters from her secret lover. She tells her great niece about it decades later: “I don’t think my heart stopped hoping I’d open the mailbox and find my name written by his hand until I finally married someone else and moved away from there. It was like the mailbox could never be the same again.” For Cora, the letters are painful, but for her great niece, Robin, they are a revelation.

To read more about Multiple Exposure, my
first novel about narrator Ellen Masters who is trying to raise her daughter, hold down a career and home, all while facing the fears that surface due to her husband’s deployments to Afghanistan and Iraq and a shocking murder that takes place close to her home, visit thorncraftpublishing.com

You’ll also find more information about my second novel, Poke Sallet Queen and the Family Medicine Wheel, which follows the generational stories of a middle Tennessee family and the various talents of the Ballard family, from shaman, to moonshiner, to singer, and more.

Parts One and two in this series are about the confessional letter and passing notes in high school, respectively.

Flashback: Passing Notes in High School

This is part two of a series on letter-writing in literature.

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The days of passing paper notes in school are fading from our culture. When I was in high school over twenty years ago, we used notebook paper and created elaborate folds, code words, and nicknames. We knew where to pass notes between classes, when to pass them during class, and even who could be trusted to pass a note without reading it. Now, most students simply send texts and emails to one another with their phones.

In her novel, The Mosquito Hours, Melissa Corliss DeLorenzo reminds the reader about these changes in communications and letter writing. The epistolary novel doesn’t have to be a book about letters mailed and received through the post office. DeLorenzo shows how friends write notes in school, and she shares the correspondence between best friends Vivian and Raine in high school. DeLorenzo allows the reader to see Vivian and Raine’s code words. This reveals the slang and cultural trends, but it also makes the reader feel intimately involved in the relationship between the friends. Showing the letters expresses their relationship in a way that we wouldn’t have understood without the notes. We can see Vivian as a high school girl, even though she is a young grandmother during the current time of the story. The notes act as flashbacks to reveal a different time in her life. Thus, the notes show us their relationship rather than a character telling the reader about their past.

To read more about The Mosquito Hours by Melissa Corliss DeLorenzo, a novel suggested as a Best Summer Reads of 2014 on OnPoint Radio, visit www.thorncraftpublishing.com

Next week, I’ll continue writing about letter-writing in literature. See last week’s post on the Confessional Letter for part one.

The Art of Letter-Writing: the Confessional Letter

IMG_9508Writing letters is an art that I value, and in Thorncraft, we enjoy seeing the practice within stories. How about all of you, writers? Is letter-writing part of your practice? There’s nothing like receiving someone’s handwritten thoughts in your mailbox.

I love when letters show up in books, even if it’s for a moment, as in Grace Among the Leavings by Beverly Fisher. One of the reasons I loved this novella, other than the young, inquisitive narrator Grace, was the confessional letters that were written during the events of the book. The letters reveal the central conflict and show depth of character where the readers might otherwise easily make judgments to disregard characters who commit a violent crime.

We, the readers, gain further insight into the people living in the rural south during the US Civil War by watching how they receive letters. Grace is the only member of her family who can read, and she is still in the process of learning, so the family must send for the preacher to read any letters aloud to them.

We see the dependence of the community on the preacher and those who can read and write in order to communicate for them. The novella reminds how important it is to cultivate the ability to read and to write, to correspond via letters and wait patiently for a response.

I’ll be sharing more about letters in books in the coming weeks in a series about the importance of the art of letter-writing.

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Visit thorncraftpublishing here to read more about Grace Among the Leavings by Beverly Fisher. The book has been adapted to the stage by Kari Catton and Dennis Darling. It has been performed as both a one-act and a two-act play.

I Marvel at Mockingbirds

The book proof for Thorncraft’s 7th title arrived in the mail during a late summer rainstorm while the sun was shining. As I opened the book, I suddenly heard bird songs and chatter, and I looked up expecting to see starlings or a similar flock.

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Cover designed by etcetera… Cover image by SaltH2Ophotography

 

I realize that they are mockingbirds. I’ve never seen this many mockingbirds in one yard. I count over 20 of them playing around the dying garden, in the field, flapping from cedar tree to fence to persimmon branches to vitex bushes. Around 30, I give up the count and watch as the birds swoop and the white of their wings flashes against the green of the field. They whistle, chip, tweet, chirpity chirpity chirpity, st-weeet with a little trilling laugh on the end of the call. The calls and songs are so varied that I grasp for ways to describe them. It’s better to listen and enjoy. I marvel at the similarity in this first volume of the BreatheYourOMBalance book, thoughtfully selected and introduced by S. Teague.

As I read through the stories and poems, I am taken aback by the number of voices moving through Thorncraft. I’m always grateful for each book. Each one has represented a different stage in the publishing process for me, new awareness, and growth into another form. Every book has been unique to the author and my relationship with that person, as I care for all of the books that we make throughout the process.

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The Breathe book includes work from 28 women who have enriched my experience as a publisher by sharing their voices, and some of them by opening themselves to working through the editing process. I’m humbled that they trusted me to share their ideas, and I’m proud of their courage and dedication, both of which shine in these stories about the transformative practice of yoga.

This is Thorncraft’s 7th book. Five books of fiction. One book of collaborative nonfiction. One series book about yoga by women. 4 book authors. 28 contributing authors. I marvel that this creative endeavor continues to grow and include women who make me proud to share their work.

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Now, the book proof goes into the trusted hands and under the “red pen” (she actually uses blue or black most of the time) of senior editor, Kitty Madden. In the meantime, we’re excited to share some blurbs about the book from authors as well as fitness and yoga instructors. Book Forthcoming, Fall 2016. Visit http://www.thorncraftpublishing.com for more details about all of our books and authors